bibliografia

Esta página inclui uma lista bibliográfica sobre vídeos musicais (secção 1), o necessário enquadramento teórico da presença do formato nas plataformas digitais (secção 2) e ainda referências videográficas (secção 3). As duas primeiras secções encontram-se divididas em duas categorias (essencial e complementar) consoante a sua importância no desenvolvimento do projecto de investigação.

Sintam-se à vontade para sugerir outras obras relacionadas com o tema na caixa de comentários: sempre que o fizerem, brindar-vos-ei com um número de sapateado.

 

1. VÍDEOS MUSICAIS

1.1. Essencial

AUFDERHEIDE, Pat
1986 – «Music Videos: The Look of Sound» in GITLIN, T., Watching Television, New York: Pantheon: 57-78.

AUSTERLITZ, Saul
2007 – Money For Nothing. A History of the Music Video from The Beatles to The White Stripes, New York: Continuum.

AYEROFF, Jeff; REISS, Steve; FEINEMAN, Neil; STIPE, Michael
2000 – Thirty Frames Per Second: The Visionary Art of the Music Video, New York: Harry N. Abrams, Inc.

AYMAR, Jean Christian
2011 – «Music Video Remakes: history, Practice and Meaning of User Production» in International Communication Association Annual Meeting, Singapore, June, 22nd.

BANKS, Jack
1996 – Monopoly Television. MTV’s Quest to Control the Music, Boulder: Westview Press.

BEEBE, Roger
2007 – «Paradoxes of Pastiche: Spike Jonze, Hype Williams and the race of postmodern auteur» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 303-227.

BEEBE, Roger; MIDDLETON, Jason (eds.)
2007 – Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press.

BERLAND, Jody
1986 – «Sound, Image, and Social Space: Rock Video and Media Reconstruction» in Journal of Communication, n.º 10, Columbia: Association for Education in Journalism & Mass Communication: 34-47.
1993 – «Sound, Image and Social Space: Music Video and Media Reconstruction» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 25-44.

BOWIE, Robart Pahlavi
1987 – Rock Video according to Frederic Jameson in Continuum: Australian Journal of Media & Culture, Volume 1: Number 2.

BURGESS, Jean
2008 – «All Your Chocolate Rain Are Belong To Us? Viral Video, YouTube and The Dynamics of Participatory Culture» in LOVINK, Geert; NIEDERER, Sabine (eds.), Video Vortex Reader. Responses to YouTube, Amsterdam: Institute of Network Cultures: 101-109.

COOK, Nicholas
1998 – Analyzing Music Multimedia, New York: Oxford University Press.

COPPA, Francesca
2008 – Women, Star Trek and early development of fannish vidding in Transformative Works and Culture, Issue 1.

COSTA, João Pedro da
2009 – «Fluxos videomusicais: uma proposta epistemológica para o estudo dos vídeos musicais na Web 2.0» in Prisma, revista electrónica do Centro de Estudos das Tecnologias e Ciências da Comunicação (cetac.media), n.º 9.

FENSTER, Mark
1993 – «Genre and Form: the development of the Country Music Video» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 109-128.

FISKE, John
1984 – «Videoclippings» in Australian Journal of Culture Studies, 2:1: 110-114.
1986 – «MTV: Post-Structural Post-Modern» in Journal of Communication Inquiry, 10: 74-79.
1987 – «Carnival and Style» in Television Culture, London & New York: Routledge: 240-264.
1992 – «The Cultural Economy of Fandom» in LEWIS, Lisa A. (ed.), Adoring Audience. Fan Culture and Popular Media, London & New York: Routledge: 30-49.
2011 – Television Culture, London & New York: Routledge, 2ª edição com prefácio de Henry Jenkins.

FRITH, Simon
1988 – «Making Sense of Video: Pop Into The Nineties» in Music For Pleasure: Essays in the Sociology of Pop, Cambridge: Polity Press: 199-207.
1993 – «Youth/Music/Television» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 67-84.

FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.)
1993 – Sound and Vision: Music Video Reader, London: Routledge.

GOODWIN, Andrew
1992 – Dancing in the Distraction Factory: Music Television and Popular Culture, Minneapolis: University of Minnesota Press.
1993 – «Fatal Distractions: MTV Meets Postmodern Theory» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 45-66.

GOW, Joe
1992 – «Making sense of music video: research during the inaugural decade» in Journal of American Culture, 15:3: 35-43.

HANSON, Matt
2006 – Reinventing Music Vídeo: Next-generation Directors, their Inspiration and Work, East Sussex: Rotovision.

JENKINS, Henry
1992 – «Layers of Meaning: Fan Music Video and the Poetics of Poaching» in Textual Poachers: Television Fans & Participatory Culture, London & New York: Routledge: 223-249.

KAPLAN, E. Ann
1987 – Rocking Around the Clock: Music, Television, Postmodernism and Consumer Culture, London: Routledge.

KARPOVICH, Angelina I.
2007 – «Reframing Fan Videos» in SEXTON, Jamie (ed.), Music, Sound and Multimedia: From the Live to the Virtual, Edinburgh: Edinburgh University Press: 17-28.

KEAZOR, Henry; WUBBENA, Thorsten
2009 – «Music Video» in DANIELS, Dieter; NAUMANN, Sandra (eds.), Audiovisuology Compendium. An Interdisciplinary Survey of Audioviual Culture, Köln: Ludwig Boltzmann Institute: 222-234.

KEAZOR, Henry; WUBBENA, Thorsten (eds.)
2010 – Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript.

KINDER, Marsha
1984 – «Music video and the spectator: television, ideology and dream» in Film Quarterly, vol. 38, n.º 1.

LEWIS, Lisa A.
1990 – Gender Politics and MTV: voicing the difference, Philadelphia: Temple University Press.
1993 – «Being discovered: the emergence of female address on MTV» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 129-152.

MORSE, Margaret
1986 – «Postsynchronising Rock Music and Television» in Journal of Communication Inquiry, No. 10: 15-28.

MUNDY, John
1999 – «I Want My MTV… and my movies with music» in MUNDY, John, Popular music on screen. From Hollywood Musical to Music Video, Manchester: Manchester University Press: 221-247.

PEVERINI, Paolo
2005 – Il videoclip. Strategie e figure di una forma breve, Roma: Meltemi.
2007 – «Dal bastard pop al mush-ip. Mutazioni in corso» in RUTELLI, R., MARRONE, G., CALEFATO, P. (eds.), Mutazioni sonore. Sociosemiotica delle pratiche musicali contemporanee, Palermo: AISS Associazione italiana di studi semiotici: 115-120.
2010 – «The Aesthetic of Music Videos: An Open Debate» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 135-154.

RAILTON, Diane; WATSON, Paul
2011 – Music Video and the Politics of Representation, Edinburgh: Edinburgh University Press.

SCHMIDT, Axel; NEUMANN-BRAUN, Klaus
2010 – «Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Videos and the Music(-TV)-Market» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 77-88.

SIBILLA, Gianni
2010 – «It’s the end of Music Videos as we know them (but we feel fine)» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 225-232.

STRAND, Joachim
2008 – The Cinesthetic Montage of Music Videos, Saarbrücken: Verlag Dr. Müller.

TURIM, Maureen
2007 – «Art/Music/Video.Com» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 83-110.

TURNER, Graeme
1983 – «Video Clips and Popular Music» in Australian Journal of Cultural Studies, Volume 1: Number 1: 107-110.
1984 – «The Musical Roots of Video Clips» in Australian Journal of Cultural Studies, Volume 2: Number 1: 122-126.

VERNALLIS, Carol
2004 – Experiencing Music Video: Aesthetics and Cultural Context, New York: Columbia University Press.
2010 – «Music Video and YouTube: New Aesthetics and Generic Transformations: Case Study – Beyoncé’s and Lady Gaga’s Video Phone» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 233-260.

WALSER, Robert
1993 – «Forging masculinity: Heavy-Metal sounds and images of masculinity» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 153-181.

WILLIAMS, Kevin
2003 – Why I (Still) Want My MTV: Music Video and Aesthetic Communication, New Jersey: Hampton Press.

WOOLEN, Peter
1986 – «Ways of thinking about music video (and post-modernism)» in Critical Quarterly, Volume 28: Issue 1: 167–170.

1.2. Complementar

ABT, Dean
1987 – «Music Video: Impact of the Visual Dimension» in LULL, James (ed.), Popular Music and Communication, Newbury Park: Sage Publications.

ANDERSON, Neil
2008 – Music Madness: Questioning Music and Music Videos, London: Capstone Press.

AUSTERLITZ, Saul
2010 – «Don’t You Cry Tonight. Guns N’ Roses and the Music Video Folly» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 35-40.

BENNETT, H. Stith; FERRELL, Jeff
1987 – «Music Videos and Epistemic Socialization» in Youth & Society, 18:4: 344-362.

BLAINE, Allain
1990 – «Musical Cinema, Music Video, Music Television» in Film Quarterly, vol. 43: 2-14.

BÓDY, Veruschka; WEIBEL, Peter (eds.)
1987 – Clip, Klapp, Bum – Von der vissuellen Musik zum Musikvideo, Cologne: Dumont.

BRISSETTE, J.; DEVIILE, B.
1988 – Rock’n’Clip: la première encyclopédie mondial du video-clip, Paris: Robert Laffont.

BROWN, Jane D.; SCHULZE, Laurie
1990 – «The effects of Race, Gender and Fandom on Audience Interpretations off Madonna’s Music Videos» in Journal of Communication, 40 (2), Spring.

CHION, Michel
1994 – Audio-Vision: Sound on Screen, New York: Columbia University Press.

COATES, Norma
2007 – «Elvis from the waist up and other myths: 1950s Music Television and the gendering of Rock discourse» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 226-251.

CONTER, Marcelo Benjamim
2011 – VideoSongs da banda Pomplamoose: o que você vê é o que você ouve in Ciberlegenda – Revista do Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense, vol. 2, n.º 23.

COSTA, João Pedro da
2007 – «Uma aproximação à obra de José F. Pinheiro» in Vimus 2007. Catálogo do I Festival Internacional de Vídeo Musical de Vila do Conde, Vila do Conde, Câmara Municipal de Vila do Conde: 55-57.
2008 – «How to make a nice music video text with no money. Sobre a videografia de Rui de Brito» in Vimus 2008. Catálogo do II Festival Internacional de Vídeo Musical de Vila do Conde, Vila do Conde: Câmara Municipal de Vila do Conde: 51-56.
2010 – «YouTube vs Vimeo: uma análise comparativa de acessibilidade, usabilidade e desejabilidade para os utilizadores de fluxos videomusicais» in Prisma, revista electrónica do Centro de Estudos das Tecnologias e Ciências da Comunicação (cetac.media), n.º 10.

DANIELS, Dieter; NAUMANN, Sandra (eds.)
2009 – Audiovisuology Compendium. An Interdisciplinary Survey of Audioviual Culture, Köln: Ludwig Boltzmann Institute.

DENISOFF, R. Serge
1988 – Inside MTV, New Brunswick: Transaction Publishers.

DHORE, Michael
1987 – Music Video: A Consumer’s Guide, New York: Ballantine Books.

DICKINSON, Kay
2007 – «Music Video and Synaesthetic Possibility» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 13-29.

DIECKMANN, Katherine
2007 – «MTV Killed the Music Video Star» in KELLY, Karen; MCDONNELL, Evelyn (eds.), Stars Don’t Stand Still in the Sky, New York: New York University Press: 89-97.

FIDLER, Tristan
2008 – Music Video Auteurs: The Directors Label DVDs and the Music Videos of Chris Cunningham, Michel Gondry and Spike Jonze, Noongard: University of Western Australia.

FRAHM, Laura
2010 – «Liquid Cosmos. Movement and Mediality in Music Video» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 155-178.

FRASER, Peter
2005 – Teaching Music Video, London: BFI Publishing.

FRY, Virginia H.; FRY, Donald L.
1986 – «MTV: The 24 Hour Commercial» in Journal of Communication Inquiry, 10: 29-33.

FORMAN, Murray
2012 – One Night on TV is Worth Weeks at the Paramount, Durham: Duke University Press.

FUCHS, Cynthia
2007 – «I’m from rags to riches: the death of Jay-Z» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 290-302.

GABRIELLI, Giullia
2010 – «An Analysis of the Relation between Music and Image. The Contribution of Michel Gondry» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 89-110.

GEHR, Richard
1983 – «The MTV Aesthetic» in Film Comment, 19: 39-40.

GOW, Joe
1992 – «Music Video as Communication: Popular Formulas and Emerging Genres» in Journal of American Culture, 26:2: 41-70.

HARTMAN, John K.
1987 – «I Want My AD-TV» in Popular Music and Society, 11:2: 17-23.

HAUSHEER, Cecilia; SCHÖNHOLZER, Annette (eds.)
1994 – Visueller Sound – Musikvideos zwischen Avantgarde und Popuärkultur, Lucerne: Zyklop.

HAYWARD, Philip
2007 – «Dancing to a Pacific Beat: Music Video in Papua New Guinea» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 152-173.

HERZOG, Amy
2007 – «Illustrating music: the impossible embodiments of the jukebox film» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 30-58.

HOLDSTEIN, Debora H.
1985 – «Music Video: Messages and Structures» in Jump Cut, No 29: 13-14.

HÖLLER, Christian
2009 – «The Music Image. How the Sounds of Pop and Counter Culture Became a Visually Defining Factor» in RAINER, Herausgegeben von Cosima; ROLLIG, Stella; Daniels; DIETER; AMMER, Manuela (eds.), See This Sound. Promises in Sound & Vision, Köln: Lentos.

HOLT, Fabian
2011 – «Is Music Becoming More Visual? Online Video Content in the Music Industry» in Visual Studies, Vol. 26, Special Issue: Locative Media and the Digital Visualisation of Space, Place and Information, London: Taylor & Francis: 50-61.

JACKE, Christoph
2010 – «Who Cares about the Music in Music Videos? Toward a Multiperspectival Pop Cultural Study of Music Videos» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 179-194.

KAPLAN, E. Ann
1985 – «A Post-Modern Play of the Signifier? Advertising, Pastiche and Schizophrenia in Music Television» in DRUMMOND, P.; PATTERSON, R. (eds.), Televison in Transition, London: BFI: 146-163.

KÄRJÄ, Antti-Ville
2007 – «Visions of a Sound Nation: Finnish Music Videos and Secured Otherness» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 174-199.

KEAZOR, Henry; WUBBENA, Thorsten
2005 – Video Thrills the Radio Star. Musikvideos: Geschichte, Themen, Analysen, Bielefeld: Transcript.

KELLY, Jem
2007 – «Pop Music, Multimedia and Live Performance» in SEXTON, Jamie (ed.), Music, Sound and Multimedia: From the Live to the Virtual, Edinburgh: Edinburgh University Press: 105-120.

KELLY, Karen; MCDONNELL, Evelyn (eds.)
2007 – Stars Don’t Stand Still in the Sky, New York: New York University Press.

KINDER, Marsha
2008 – «The Conceptual Power of On-Line Video» in LOVINK, Geert; NIEDERER, Sabine (eds.), Video Vortex Reader. Responses to YouTube, Amsterdam: Institute of Network Cultures: 53-62.

KRASNER, Jon
2008 – «Music Videos» in KRASNER, Jon, Motion Graphic Design. Applied History and Aesthetics, London: Elsevier: 68-70.

KRAUSE-WAHL, Antje
2010 – «Why Artists Make Clips» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 207-224.

LAAKE, Rebecca A.
2004 – Depiction of Sexuality in Music Videos, Division of Graduate Studies and research of the University of Cincinnati.

LAING, Dave
1985 – «Music video: industrial product, cultural form» in Screen, 26 (2): 78-83.

LEWIS, Lisa A.
1987a – «Female Adress in Music Video» in Journal of Communication Inquiry, 11 (1): 73-84.
1987b – «Form and Female Authorship in Music Video» in Journal of Communication, 9: 355-377.
1994 – «Form and female autorship and gender address in Music Television» in NEWCOMB, Horace, Television: the critical view, New York: Oxford UP.

LONDON, Barbara
2010 – «Looking at Music» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 59-66.

LUND, Cornelia; LUND, Holger
2010 – «Get the Cut. On the Relationship between Visual Music and Music Video» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 197-206.

LUND, Cornelia; LUNDS, Holger (eds.)
2009 – Audio.Visual: on Visual and Related Media, Stuttgart: Arnoldsche.

LUKOW, Gregory
1986 – «The Archeology of Music Video: Soundies, Snader Telescriptions and Scopitones» in 1986 National Video Festival, Los Angeles: American Film Institute.

MARINO, Bruno Di
2010 – «Pride and Prejudice» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 67-73.

MARINO, Paula Rodríguez
2003 – «MTV e as concepções das audiências: as abordagens de Kaplan, Lewis, Fiske e Goodwin» in Contracampo, n.º 0, Rio de Janeiro: Universidade Federal Fluminense: 105-116.

MARKS, Craig; TANNENBAUM, Rob
2011 – I Want My MTV: The Uncensored Story of the Music Video Revolution, New York: Dutton Adult.

MCCLARY, Susan
1991 – Feminine Endings: Music, Gender and Sexuality, Minnesota: Minnesota University Press.

MCGRATH, Tom
1996 – MTV: The Making of a Revolution, Philadelphia: Running Press.

MERCER, Kobena
1993 – «Monster Metaphors: Notes on Michael Jackson’s Thriller» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 93-108.

MIDDLETON, Jason
2007 – «The Audio-Vision of Found-Footage Film and Video» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 59-82.

MILSTEIN, Dana
2007 – «Case Study: Anime Music Videos» in SEXTON, Jamie (ed.), Music, Sound and Multimedia: From the Live to the Virtual, Edinburgh: Edinburgh University Press: 29-50.

MUNDY, John
1999 – Popular music on screen. From Hollywood Musical to Music Video, Manchester: Manchester University Press.

NANCE, Scott
1991 – Music you can see! The MTV story, Las Vegas: Pioneer.

PARKS, Lisa; MCCARTNEY, Melissa
2007 – «Elvis goes global: Aloha! Elvis live via satellite and Music/Tourism/Television» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 252-268.

PEGLEY, Kay
2007 – «Coming To You Wherever You Are: Exploring the Imagined Communities of Muchmusic (Canada) and MTV (United States)» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 200-225.

PEREIRA DE SÁ, Simone Maria Andrade; HOLZBACH, Ariane Diniz
2010 – «#u2youtube e a performance mediada por computador» in Revista Galáxia, São Paulo, n.º 20: 146-160.

PETERS, Kathrin; SEIER, Andrea
2009 – «Home Dance: Mediacy and Aesthetics of the Self on YouTube» in SNICKARS, Pelle; VONDERAU, Patrick (eds.), YouTube Reader, London: Stockholm: National Library Sweden.

PRESS, Auc
2005 – Culture Wars: The Arabic Music Video Controversy, Cairo: AUC Press.

RABINOWITZ, Lauren
1989 – «Animation, Postmodernism and MTV» in The Velvet Light Trap, n.º 24: 99-112.

RAINER, Herausgegeben von Cosima; ROLLIG, Stella; Daniels; DIETER; AMMER, Manuela (eds.)
2009 – See This Sound. Promises in Sound & Vision, Köln: Lentos.

RICHARD, Birgit
2008 – «Media Masters and Grassroots Art 2.0 on YouTube» in LOVINK, Geert; NIEDERER, Sabine (eds.), Video Vortex Reader. Responses to YouTube, Amsterdam: Institute of Network Cultures: 141-152.

ROBERTS, Robin
1996 – Ladies First: Women in Music Videos, Jackson: University Press of Mississipi.

RUFI, José Patricio Pérez
2011 – «Recursos Formales en el videoclip actual: la opción mainstream» in Razón y Palabra, n.º 75, Febrero-Abril.

RYAN, Larry
2010 – Viral video: the rebirth of the music video in New Zeland Herald (31/03).

SAVAN, Leslie
1993 – «Commercials Go Rock» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 85-90.

SCAGNETTI, Jean-Charles
2010 – L’aventure scopitone 1957-1983, Paris: Autrement.

SCHMIDT, Axel; NEUMANN-BRAUN, Klaus
2010 – «Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Videos and the Music(-TV)-Market» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 77-88.

SCHMITT, Thomas
2010 – «The Genealogy of the Clip Culture» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 41-58.

SCHWARTZ, Lara M.
2007 – Making Music Videos: Everything You Need to Know from the Best in the Business, New York: Watson-Guptill.

SEXTON, Jamie (ed.)
2007 – Music, Sound and Multimedia: From the Live to the Virtual, Edinburgh: Edinburgh University Press.

SHERMAN, Barry L.; DOMINICK, Joseph R.
1986 – «Violence and Sex in Music Videos: TV and Rock’n’Roll» in Journal of Communication, vol. 36, no. 1: 79-93.

SHERMAN, Tom
2008 – «Vernacular Video» in LOVINK, Geert; NIEDERER, Sabine (eds.), Video Vortex Reader. Responses to YouTube, Amsterdam: Institute of Network Cultures: 161-168.

SHORE, Michael
1985 – The Rolling Stone Book of Rock Video, London: Sidgwick and Jackson.

SOBCHACK, Vivian
2004 – Carnal Thoughts: embodiment and moving image culture, Berkeley: University of California Press.

STOCKBRIDGE, Sally
1987 – Music Video: Questions of Performance, Pleasure and Address in Continuum: Australian Journal of Media & Culture, Volume 1: Number 2.

STRAW, Will
1993 – «Popular Music and Postmodernism in the 1980s» in FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.), Sound and Vision: Music Video Reader, London: Routledge: 3-24.

SUHR, Hiesun Cecília
2008 – «The Role of Participatory Media in Aesthetic Taste Formation: How do Amateurs Critique Musical Performances and Videos on Youtube.com?» in International Journal of Technology, Knowledge and Society, 4: 2: 213–222.

SUN, S.; LULL, J.
1986 – «The Adolescent Audience for Music Videos and Why They Watch» in Journal of Communication, 36: 1: 115–125.

TAN, Charlene
2007 – Engaging Films and Music Videos in Critical Thinking, New Dehli: McGraw-Hill Education (Asia).

TATE, Joseph
2005 – «Radiohead’s Antivideos: Works of Art in the Age of Electronic Reproduction» in TATE, Joseph (ed.), The Music and Art of Radiohead, Hants: Ashgate Publishing: 103-117.

TETZLAFF, David J.
1986 – «MTV and the Politics of Postmodern Pop», in Journal of Communication Inquiry, 10: 80-91.

TOLLMANN, Vera
2008 – «YouTube Magic: Videos on the Net» in LOVINK, Geert; NIEDERER, Sabine (eds.), Video Vortex Reader. Responses to YouTube, Amsterdam: Institute of Network Cultures: 169-172.

TURNER, Graeme
1983 – «Video clips and popular music», in Australian Journal of Cultural Studies, Vol. 1, Number 1, May.

TURNER, Jacob S.
2005 – An Examination of Sexual Content in Music Videos, University of Delaware.

V/A
1986 – Who’s who in Rock Video MTV, New York: Sound & Vision Publishing Limited.

VERNALLIS, Carol
2001 – «The Kindest Cut: Functions and Meanings of Music Video Editing» in Screen, vol. 42 (1): 21-48.
2002 – «The Functions of Lyrics in Music Video» in Journal of Popular Music Studies, vol. 14 (1): 11-31.
2007 – «Strange people, weird objects: the nature of narritivity, character and editing in music videos» in BEEBE, Roger; MIDDLETON, Jason (eds.), Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press: 111-151.
2008a – «Music Video, Songs, Sound: Experience, Technique and Emotion in Eternal Sunshine of The Spotless Mind» in Screen, Vol. 49 (3): 277-297.
2008b – «The Most Terrific Sandbox: Music Video Directors, Style and the Question of Auteur» in Quartely Review of Film, Vol. 25: 404-425.

VINCENT, R.; DAVIS, D.; BORUSZKOWSKI, L.
1987 – «Sexism on MTV: the portrayal of women on rock videos» in Journalism Quaterly, 64 (4): 750-755.

WALKER, J.
1987 – Crossovers: Art into Pop / Pop into Art, London: Comedia/Methuen.

WEINGARTEN, Marc
2000 – Station To Station. The History of Rock’n’Roll on Television, New York: Simon & Schuster.

WEISS, Matthias
2010 – «Two Versions of Rammstein’s Du riechst so gut» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 111-134.

WETZEL, Kathrin; JEGL; Christian
2010 – «Future Thrills the Video Star – The Future of Music Video» in KEAZOR, Henry; WUBBENA, Thorsten (eds.), Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript: 261-269.

WIKSTRÖM, Patrik
2009 – «The Social and Creative Music Fan» in WIKSTRÖM, Patrik, The Music Industry, Cambridge: Polity Press:147-169.

WOLFE, Arnold S.
1985 – «Rock on Cable: On MTV: Music Television, the First Video Music Channel» in Popular Music and Society, 9:1: 41-50.

WOLLEN, Peter
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3. VIDEOGRAFIA

APPLE CORPS LIMITED
2003 – «Taped TV Promotional Films» in The Beatles Anthology, Episode 5, #5 e #6 (DVD)

DIRECTOR’S LABEL
2003 – The Work of Spike Jonze (DVD)
2003 – The Work of Chris Cunningham (DVD)
2003 – The Work of Michel Gondry (DVD)
2005 – The Work of Mark Romanek (DVD)
2005 – The Work of Jonathan Glazer (DVD)
2005 – The Work of Anton Corbijn (DVD)
2005 – The Work of Stéphane Sednaoui (DVD)

GONDRY, Michel
2008 – Be Kind Rewind (New Line Cinema, Partisan, Focus Features) (DVD)

MALLET, David
2007 – Eat To The Beat (1979), Blondie. (DVD)

MOORE, Michael
2002 – Bowling for Columbine (Alliance Atlantis Communications)

OPTIMUM HOME ENTERTAINMENT
2010 – Hammer & Tongs Collection (DVD)

SADOWSKY, Adam
2010 – Adam Sadowsky engineers a viral music video, Montery: Sapling Foundation.

TROLLBACK, Jakob
2008 – Jakob Trollback rethinks the music video, Montery: Sapling Foundation.

21 comentários a “bibliografia

  1. Pingback: Das potencialidades de um blogue num projecto de investigação « mv flux

  2. Dear João Pedro da Costa,
    I found your website about music video really interesting, I’m an assistant professor in Semiotics at Luiss Guido Carli University in Rome. I tought you might be interested in my monography about music video language in a semiotic perspective. The title is “Il videoclip. Strategie e figure di una forma breve”, edited in 2004 by Meltemi, Rome.

    Here you can find some informations:
    http://www.meltemieditore.it/Scheda_libro.asp?Codice=M024

    Have a nice day
    Paolo Peverini
    ————–
    Paolo Peverini
    Centre for Media and Communication Studies “Massimo Baldini”
    LUISS Guido Carli
    Viale Romania n. 32 – 00197 Roma
    tel. 06.85225.759
    http://docenti.luiss.it/peverini/

  3. Hello! I just stump upon your blog via Google. What a wonderful blog you have! I love it very much! Thank you for supplying such valuable information to the entire internet landscape!

  4. Pingback: O conceito de autoria nos vídeos musicais e uma breve alusão às sinergias entre a sétima e a oitava arte (título longo, eu sei, sobretudo devido a este desnecessário parênteses) « mv flux

  5. Pingback: O conceito de autoria nos vídeos musicais e uma breve alusão às sinergias entre a sétima e a oitava arte (título longo, eu sei, sobretudo devido a este parênteses desnecessário) « mv flux

  6. Pingback: O conceito de autoria nos vídeos musicais e uma breve alusão às sinergias entre a sétima e a oitava arte (título longo para um post, eu sei, em parte devido a este parênteses desnecessário) « mv flux

  7. Pingback: O conceito de autoria nos vídeos musicais precedido por uma breve alusão às sinergias entre a sétima e a oitava arte (título longo para um post, eu sei, em parte devido a este parênteses desnecessário) « mv flux

  8. Pingback: Relatório #1 « mv flux

  9. Pingback: Teledisco, videoclip(e) ou vídeo musical? « mv flux

  10. Pingback: Relatório #2 « mv flux

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  12. Pingback: Sobre a bibliografia dedicada aos vídeos musicais « mv flux

  13. Pingback: Das muitas formas de designar um objecto de estudo « mv flux

  14. Pingback: Relatório #3 « mv flux

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